The project explores fundamentally the ontological relationship between exhibits and space. Moving towards the polarities, the spaces are darkened while all exhibits turned white. The sequence and scale of spaces, in open or closed chambers, evolves from the form of exhibits and how they are viewed. Sunlight is filtered in deep orange in search for a consistent and surrealistic effect. Illumination is meticulously adjusted to accentuate the contrast and to create the depth of space.